Eduard Zibnitski 

The child is visiting a museum: a strange, lonely, and scary place, which turns into a surrealistic nightmare. It's a metaphor of the adult world, a world of culture and technology. The child enjoys the Aviation exhibition and has some fun with an interactive installation, called 'kick machine'. Symbolically it refers to a mechanical, or scientific approach to the human relationship as a system of elementary physiological or psychological reactions. But when he enters the world of sensuality, everything turns really twisted and dark.

I left the last scenes unclear to let the audience decide if endless nightmare takes a new round of illusions, or if it’s the final liberation of human mind, when the magic forces of the City have been overcome.